Finished the song. Booked the release date. Then stared at a blank promotion plan. Having a shortlist of people who actually cover my sound makes the next step feel manageable.


Music promotion starts before you press publish.
Build a release plan, shape your story, and find the right people to approach.
No signup. No card. Start with what you need.
A practical starting point for your next single, EP or album.
Choose your release date →Start with your artist name or music link. VP uses your sound, story and releases to understand where you fit.



Find relevant media, radio, curators, labels and Collections—with context to help you choose who to approach.
Prepare a relevant pitch, review it, and reach out. Keep the conversation and your next follow-up together.
Start with your artist. Build from there.
Free resources for independent artists promoting a single, EP or album.
Turn a date into an editable promotion checklist. Download your plan and calendar.
Build my release plan 02PRACTICAL GUIDEWhat to do before release day, what to prioritize, and how to keep going after Friday.
Learn how to promote a song 03EDITABLE TEMPLATESSingle, EP and album press releases you can personalize, copy and download.
Write my press release 04OUTREACH GUIDEResearch music blogs and playlist curators, check relevance, and make a thoughtful introduction.
Find the right peopleMusic promotion is the work around a release that helps people discover your songs and stay connected to you. It can include your own content, fan communication, press outreach, playlist pitching, radio and live performances.
You do not need to do every channel at once. Choose an audience, a realistic goal and a few actions you can sustain. The toolkit helps you prepare; Virtual Publicist helps you explore relevant people and opportunities.
Read the song promotion guide →Explore curated music-industry Collections on Virtual Publicist.

Explore media contacts for artist promotion.
Explore the media Collection ↗
Browse Collections for press, radio, sync and more.
Browse VP Collections ↗
Explore media and editors covering your sound.
Explore R&B media in VP ↗These links open VP, which publishes this toolkit. Artwork is from VP’s collection library. Inclusion in a Collection does not guarantee a reply, coverage or placement.
Start with the assets you already have, a realistic release plan and a small relevant shortlist. Your time still has a cost: prioritize a few channels you can manage instead of trying everything. Read the budget section.
This is a free resource published by Virtual Publicist. The planner and templates work here without a VP account. Artist analysis, Collections and outreach tools are on the separate VP website.
No. The toolkit helps you prepare and make more relevant introductions. Listeners, editors and curators make their own decisions.
Yes. Use the planner to identify the post-release tasks and choose a fresh, honest reason to share the track. Do not present an old release as new or backdate a pitch.
The planner and template editor run in your browser. We do not send your entries to VP. Download your work before leaving; this version does not save it between visits.
Press pitches. Playlist shortlists. A clearer next step.
Fictional review examples for this private preview—not real customer posts or ratings.
Finished the song. Booked the release date. Then stared at a blank promotion plan. Having a shortlist of people who actually cover my sound makes the next step feel manageable.


The part I needed help with wasn’t recording another chorus. It was knowing who to send the single to. A relevant Collection is such a useful starting point.
My favorite bit: the context behind the contact. I can write a pitch that sounds like me and gives someone a reason to listen.


I came for playlists and ended up exploring sync. Never thought about where my instrumentals could fit beyond streaming. 🎧
One place for the release, the people I want to pitch, and the conversations I need to follow up on. That is the kind of organization my next EP needs.


The song is personal. The introduction should be too. Being able to shape a pitch before sending it is a big part of why this makes sense to me.
Release week used to feel like posting a link and hoping. This makes the work around a release feel like something I can actually plan.


A focused list beats another night of opening tabs. Press, radio, curators. Now I know what to research and who to introduce myself to.
Looking at the brand-music Collections made me think differently about my catalog. Some of these tracks have a life outside an album.


I want to build relationships that last past release Friday. Saving the people and the context is the part I keep coming back to.
We finally have the same view of the campaign. Which Collection to start with, what to say, and who needs a follow-up. Much easier to keep everyone moving.


Making the song took months. It deserves a thoughtful introduction. Love the idea of bringing the release and the outreach into the same place.